Tag Archives: London

Missing Cats, and Best Sellers

comfortable-catHere I am. Me. Fallible. Ready to disappoint. It’s Friday February 5, 2016 (can you believe time has flown so quickly?) and I have decided that my YA novel, which is in the second draft stage is just toooo darn boring. Well, okay, I realize it’s just me saying that, but it is now on my proverbial shelf, being thought about but not worked on. I think of that shelf as the back burner of my stove, the one with the various degrees of “simmer” which may mean that spaghetti sauce could sit there all day getting better by the minute. Thing is I need to put conflict on every page as my friend Roger Paulding always says in critique group. He is so correct. Conflict on every page moves the reader to turn the pages. If there is no conflict the reader is just going to fall asleep. My YA has no conflict in it, or at least not enough to keep every reader involved. So say goodbye to the YA novel I’ve been working on for two years, and say HELLO to a new murder mystery set in London with Jon Graham as the hero. It’s true. I think it’s going to be a winner. And I don’t mean that in a Donald way. I mean, if you liked Deadly Thyme I think you might like the one I am now writing set just before Jon Graham goes to Cornwall.

But back to being a winner. You see, Deadly Thyme is a winner. I say that because for all of three nano-seconds in January, I was a true BEST-seller. I was #1 in mystery, thriller, detective series and in several other categories. I was so thrilled I think I couldn’t see straight. Yes, I may have actually made a bit of money there. And if the world’s idea of success is making money, then I won in the world’s opinion of best-selling author. Plus, I paid a few bills, or at least I will when the royalties hit the bank sometime in the next four weeks.

Most people don’t realize, and when I say most people I include myself here, because I never thought about what kind of money authors made before trying to become an author. I just figured authors made a lot of money. Best-seller doesn’t always translate into what you and I would consider rich. Last year I went in the hole only $665.00. That’s pretty fantastic! The year before my debt was over $3,000. That’s what I spent getting my books out in front of you versus what I made selling said books. But this whole book idea/plan needs further expose. Let me break it down for you in a super simplified way because I am a super simplified-thinking person. I put Deadly Thyme on sale for .99 for the month of January 2016. Bookbub, bless their hearts, accepted me into their daily deal campaign. I sold three thousand Deadly Thyme ebooks on Kindle alone in one day. For the month of January, between all the various e-book outlets I sold over 6 thousand ebooks at .99. On Kindle I made 35% of that .99. Amazon made the rest. I am not complaining. A penny is still a penny to me, as old-fashioned as that sounds, and 29 cents is still a lot times three thousand. Compare that to what happens when a traditionally published big-name author sells their e-book for $14.99 on Amazon. Check this out! The publisher makes 15%, the author’s agent makes 15%, and because it isn’t in the price range of 2.99 to 9.99 with Amazon (that’s the 70% profit range) the profit is only registering at 35%, Amazon is making the rest. The author is taking home 35% of that $14.99, less 15% less 15%. Oh bother, as Winnie-the-Pooh would say.

Deadly Haste. There, I’ve said the title of my new effort. I even found the most gorgeous Byron quote for it. “Now hatred is by far the longest pleasure; men love in haste, but they detest at leisure.” So apropos. Don’t be mad. I love really cool classical quotes. Morris would be pleased. My setting is Harrow a northwest borough of London. And there are missing cats involved here.

Full disclosure. This is a preliminary draft and I realize that as time goes by what I love won’t always get to “stick” because, though I love it, the “thing” no matter what it is doesn’t always move the plot forward. I am all about story. I want you, my precious readers, to enjoy my story. If my little beloved “thing” — like missing cats, doesn’t move the story forward it’s going to be kicked outside into the snow.

I know, it makes me sad, too.

So this is the news from my end. I hope you all are enjoying a little quiet and comfort wherever you are. Stay warm. It is cold out there.

Two Disappointing Products of Book Churning.

English: The Crystal Palace in 1910, London
English: The Crystal Palace in 1910, London (Photo credit: Wikipedia)

Here it is Wednesday, time for another book review. I’m afraid it isn’t pretty.

Charles Todd has been one of my favorite writers for years. The Ian Rutledge series and the Bess Crawford series are a pleasure to read. At least until Proof of Guilt entered this reader’s world.

An unidentified body turns up in London with a man’s watch that can be identified as having belonged to a wine merchant. The body is a victim of a hit and run but the accident happened elsewhere and the victim moved. And the body is not that of the wine merchant. No, he has disappeared though.

The story shambles all over the place with the lead investigator, Ian Rutledge driving back and forth all over England. There was one exciting part near the end of the book, which I thought would turn the story into a good one, but when the scene was over so was the excitement. I never did figure out the point of the mystery. And where was the missing man? Does this imply that we will see this shadowy figure again, as in a future villain? Or was there no point in his body never turning up?

I am sadly disappointed in all of this. Does it mean we have come to the end of Ian Rutledge as one of the most innovative characters in fiction today? I hope not. I hope this was a bubble in a wonderful series. Perhaps mother and son team Todd’s editor needs to give them a break from this stereotypical churning out of one book a year business.

Another sad entry into this category is my other favorite author’s new book.

Deborah Crombie’s  latest is called The Sound of Broken Glass. It isn’t quite as pointless as the above example but there were times while reading it that I thought it could have been about half as long as it was.

For one thing the characters don’t seem to be cohesive to the story until everything is tied up at the end.

A lawyer turns up dead in an odd and disturbing way. He has ties to the world of music. There are some guys in a band. There is one in particular who seems to be a suspect. There are flashbacks in italics to a young boy’s point of view of growing up in Crystal Palace.

I love the setting details and the factual bits about the Crystal Palace at the beginning of each chapter. I love to learn things when I read. Another thing I love about her series of books is the continuing interesting relationship between Duncan and Gemma and their growing family of kids and dogs. This always add such a warm point of human interest you can’t help but love, love, love her books.

But of all her Duncan and Gemma series of books this is the weakest. I really believe this is a result of a constant pressure to produce at least a book a year. That pressure is set up by her editors and agents, probably because of a perceived demand by the public. Sadly, it isn’t unusual. I saw it with the series with Kay Scarpetta written by Patricia Cornwell.

There is a demand by the public! But it will go away if the product isn’t up to the standard set by wonderful previous books.

Chasing Dreams

Breakwater and fishing boat near the harbour o...
Breakwater and fishing boat near the harbour of Boscastle, Cornwall, UK (Photo credit: Wikipedia)

I’d always wanted to write a novel. Who doesn’t, right? I’d written a few children’s stories done some illustrating for friends, done some professional illustrating and artwork. Okay. But I wanted to write something like a novel. And my favorite pass-time reading is murder mysteries.

The first time I determined to write a novel, I began to write. I hand wrote, filling a lot of composition spirals, did my research, hand-wrote more or less a plot. But I didn’t like it. It wasn’t good enough.

The morning after a bad dream I wrote it down. The story, I wrote in a logical beginning, middle and end which real dreams rarely have, turned into six neat pages. There was conflict. It was fairly interesting. I took it to my critique group at Houston Writer’s Guild and Tony told me “there’s way too much you’re not telling us. This needs to be a novel.”

Great, I thought, how do I start? I thought about it for a few days. The first chapter has to have an eye-opening, cut-to-the-quick scene. Do I open with the murder? Do I open with the victim confronting the killer? Do I open after the deed has been done? AND most importantly was this really a murder?  I wasn’t sure. It was bad but was it murder bad?

In early versions I opened with the deed done. In later versions this morphed into the killer confronting the victim. Then later, the victim’s point of view was included. And still later, the victim became not a dead girl but a kidnapped girl.

But the kidnapper was still a killer. His inaction was not weakness. One victim at a time, please.

Now the setting was a matter that needed serious thought. The terrain or setting is extremely important in any story. In this one there had to be a beach, a lot of fields, a storm of great magnitude, a cave, an ancient house with secret passages. Hmmm. Where could that be?

I’ve always. ALWAYS been a fan of British Murder Mysteries. I think because in the place of guts, gratuitous sex, and unnecessary language there is the best hook of all – suspense. Alfred Hitchcock hook ’em with shadows suspense. PLUS I happen to adhere to the school of “write what you LOVE” not “write what you know.” Because if you love something truly, you will know it through the research you will do to write it.

So naturally the setting had to be in Britain – but where? Should I choose my own ancestral home of Scotland? I’ve grandparents from both Glasgow or Edinburgh? Or can I manipulate my Texas-born heroine to consider the warmer climes of Cornwall?

The answer came after I viewed the mood-setting “Coming Home”, “Wuthering Heights (the newer one), and of course the best of all – “Rebecca” (the old one). Creepy stuff. Love it.

It took me a year to write the entire story, taking the chapters one at a time to critique group and writing and re-writing everything a ga-zillion times. I researched Cornwall and established friendships with an inspector with the London Metropolitan Police, a nurse in Devon, and the owners of the best little Bed and Breakfast in Cornwall (more on that later, if you want more info on that- ask). With lots of questions and making myself a real nuisance with queries about titles, and names, and the way things are pronounced. This was before all the flood of books on the subject which are now on the market.

It is amazing that a country so close to ours in culture and language is soooooo different! There are as many colloquial sayings, different accents and different cultures within England as we have here in America. It is an endless fascination for me.

In all this I researched the material I needed through the internet. A wondrous thing. This was before September 11, 2001 and the open government policies on police procedures and the available brochures from the Home Office were beneficial.

But I didn’t have a FEEl for the place still. I knew that in order for my novel to have any kind of honesty about it I needed to go to England. I needed to taste and smell the place. Something, thankfully the internet can’t provide yet. So I set my plans in motion.

My family didn’t have any desire to travel clear across the “great pond” to stare at grass in Cornwall. My neighbor Elizabeth was more than thrilled to accompany me.

Meanwhile, I invited the Met Inspector to lunch via email to pay him back for all the putting up with repeated questions and endless emails. He had also agreed to read the clumsy tome itself which was an added bonus for me.

Elizabeth and I set out for England. A grand adventure for both of us. She would see relatives she hadn’t seen in years and I would see … what? The place my forefather’s left. The place that had always been in my blood. Why I read and watched anything and everything English.  That was where I was going. I was going home.

The plane touched down and I looked out on a gray morning like all the gray English mornings in London I had ever read about. The drizzle inching down the plane windows and the cold hitting me as I disembarked. So unlike Houston. I was thrilled. My heart sang. Here it was … England, at last!

It was a week of amazement and wonder. The first thing Elizabeth and I did was visit her cousin whom she called “Auntie”. Auntie offered us kippers and eggs. I had never had kippers and eggs. I can truly say now that I won’t ever again have kippers and eggs. I happen to love smoked herring which is what kippers are. But our canned smoked herring is a far cry from the vacuum packaged smoked herring I had that morning. I got it down and it stayed, but I didn’t feel like eating the rest of that day.

My kind, generous, wonderful hosts at “The Old Rectory” Bed and Breakfast just outside Boscastle, Cornwall drove me everywhere. They wouldn’t ask but I offered money for their gas. I don’t think I gave them enough, I just have that sinking feeling, because petrol (gas) there is so much more there than it is here. It’s the VAT. Drat the VAT!

Back in London it was time to meet and take the inspector out to lunch. I didn’t realize it but he was nervous because before lunch he wanted to meet at a Starbucks. And he brought a colleague.  After all, it was an email friendship. I could have been anyone or anything!! We met. I passed because we had a great time. After a full lunch at “The American Cafe” he took me to meet his family and his wife served “high tea” which is usually served at about four but they were so nice to give me tea and finger sandwiches and desserts at ten at night.Thank you, Anne for serving high tea out-of-place.

That’s one thing I wasn’t used to. Here in America we tend to go to bed early. Maybe it is the old Ben Franklin early-to-bed-early-to-rise thing but in England they eat later and hit the hay later. So I think I got back to the London Bed and Breakfast around twelve. Elizabeth had been worried. We didn’t have cell phones back then. I apologize again, Elizabeth. It was thoughtless.

The next day it was time to go and I cried and I sobbed and I couldn’t help it. I didn’t want to go. I wanted to stay forever. I don’t know. Maybe because Elizabeth and I were so well-treated. We felt like stars at every turn. Maybe it was the Foot and Mouth that had kept all the other tourist away so that E and I were just about the only foreigners in Cornwall that week … I don’t know. It was a wonderful trip where words can’t quite convey how great it was.

I met a good friend Jamie on the train between London and Cornwall. (Hi Jamie, told you I’d include you here.) I met Sharon and found a soul-mate. I met lots of wonderful people who brought alive that England which I had stored up as a dream.

I got the book researched. Smells and tastes included.

It was a good place to go. There aren’t so many murders, really. That’s the point isn’t it? The quiet, peaceful village and then the piercing scream? Ha! It’s fiction. England is everything it was ever chalked up to be in all the books. I recommend it.

Years passed while I DIDN’T work on the novel because I wanted to write a children’s fantasy novel that had me intrigued. Then my father passed away and I couldn’t write or think of anything but trying to work out the logistics of getting my invalid mother to a safe environment. They lived out in the countryside.

When I went to rewrite the novel, it took a different course. It isn’t so much mystery as suspense now. So let’s see what happens soon with this.

Cheers.